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Introduction
Preparation
Theory of Melodies
We will learn the basics of melody structure include pitch movement, note stability, rhythm, and more.
I: Horizontal View
We will learn about the relationship between melody and chords, approaching the examination of melody from one step higher.
II: Vertical View
We will simply expand our knowledge of scales, exploring melody lines with accidentals and discussing “church modes”.
III: Explore Scales
we will deepen our understanding of “shells”, exploring how to utilize even-numbered shells.
IV: Shell Study
This chapter is for advanced learners who wish to thoroughly dissect “harmonizing.” This level of theoretical understanding may not be necessary for creating typical pop music.
V: Harmonization Study
Theory of Chords
The first chapter will cover basic vocabulary, concepts, a bit of arranging knowledge, simple chord arrangement methods, and by the end, you’ll have a small theoretical framework in place.
I: Basic System
The latter part of Chapter I. We delve into the system of chord progressions, thoroughly discussing the connection of two prime chords and learning “fixtures” in pop music.
Nexus System
We will learn methods for extending major/minor chords by adding or subtracting notes and for broadening expression by borrowing chords from other keys.
II: Add, Omit, Borrow
We will learn about various chords beyond major/minor chords. A wide range of chords such as sus4, aug, dim, etc, are introduced. Their significance may diminish in genres that do not require technical chords.
Ⅲ: Encompass Chord Types
We will learn stylish arranging techniques, classic patterns, and acquire a more professional approach to chord work. Mastering this chapter will almost equate to covering all techniques in pop music.
IV: Pops Techniques
This stage focuses on learning advanced methods mainly found in modern classical and jazz music, such as layering chords over chords, playing multiple keys simultaneously, which are rarely necessary for popular music.
V: Contemporary Methods
An introductory course to modern jazz theory. It extracts the distinctive elements of jazz theory, allowing you to learn the foundational aspects. The goal is to understand the differences in the philosophies between general music theory and jazz theory.
VI: Hello Jazz Harmony
An introductory course to Classical theory. It covers the characteristics of classical music, its distinct style and the basic theory of harmony. The goal here is to understand the “background” of classical theory.
VII: Hello Classical Harmony
This chapter explores specialized theories, compares theories across different schools of thought, and deepens understanding through critical thinking. The content is challenging and leans more towards research than practical application.
VIII: Beyond Borders
Theory of Rhythms
We will learn the most fundamental aspects of rhythm. To avoid complexity, “beat grids” and sound sources are used rather than sheet music. You’ll learn about constructing rhythm patterns and how accents affect the “feel.”
I: Basics of Rhythm
We will learn a bit advanced theories of rhythm. This includes reading time signatures, creating more nuanced rhythmic feelings, and introducing new times.
II: Advanced Rhythms